synesthesia
synesthesia
When a beautiful thing – often an object – crosses my line of sight, I have increasingly, tried to stop and understand why I perceive it as beautiful. I often find these things so beautiful, I have an overwhelming need to get as close to this beauty as possible.
If you looked up examples of different types of synesthesia, this feeling comes closest to mirror-touch – a synesthetic experience where individuals feel tactile sensations on their own body when they see someone else is being touched.
Like a moth, I try to flock to it, this thing of beauty. This is sometimes problematic, because more often than not, the object is very far away. Generally, it involves light, how light touches an inanimate object, for example, the edge jutting out of a building at 50 meters of height, or the sharp edges of a reef.
Except, here, the sensation is almost akin to jealousy or envy. Envy towards the building or reef for receiving light. The envy is overwhelming, and all I can think of is enveloping this thing, morphing into it (like a mattress through one you can breathe), and being it, so as to, maybe, absorb as much of that as possible.
Vitamin D deficiency is nothing extraordinary, and there’s nothing extraordinary about seeking warmth either. I suppose I’m just seeking it in places that aren’t inherently ergonomic.
Synesthesia is still a work in progress.




the museo marino marini in florence is housed in the ancient (est. ~931 by charlemagne) church of san pancrazio in one of the smallest piazza's i may have ever seen. redesigned in the 80s to house marino marini's work, the architecture mixes the original style of the building while leaving space for marini's more modern work (painting, drawings, lithos, and sculpture)...and a lot of light.

a "salotto" in a now deserted family house. despite its barrenness, there is less melancholy about what's missing, and more a sense of gratitude that light can still live here.

Sometimes this happens when watching old films - like this garden in Pier Paolo Pasolini's Canterbury Tales.


the ceiling of the one of the rooms in the museo rufino tamayo in CDMX